Kicking the Tweets
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Blade Runner 2049 (2017)

Sequelizing Blade Runner is as pointless as sequelizing Office Space. Ridley Scott said everything that needed saying when adapting Philip K. Dick’s tech-dystopia novel into seven different cuts. But great brands never die, so here comes Denis Villeneuve’s vapid and over-long Blade Runner 2049. In fairness, the film is only 52 percent vapid (the back half) and 100 percent gorgeous, thanks to cinematographer Roger Deakins, who tells a visual story that’s far more satisfying than the plodding screenplay. Ryan Gosling plays K, an L.A. cop caught up in (surprise!) a corporate conspiracy while hunting down and “retiring” humanoid robots. Eventually (and I mean really eventually), Harrison Ford shows up to reprise his role as O.G blade runner Rick Deckard. I could summarize and spoil all two-and-three-quarters hours in fifteen seconds, but then someone would retire me. Suffice it to say, this movie is worth looking at, but hardly worth seeing.

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